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Clan House, 2008 - Museum of Glass
The Museum of Glass in Tacoma, WA, organized Preston's traveling exhibition Preston Singletary: Echoes, Fire, and Shadows in 2008, challenging him to create his most ambitious work to date. Clan House is a 16-by-10-foot cast-glass triptych that references the large-scale Tlingit crest designs that appeared in the interior of traditional longhouses. -
TRANSFORMATIONS, 2011 – SEATTLE UNIVERSITY
Commissioned by Seattle University in 2011, Transformations is made from cut aluminum and flat glass. The designs are abstract and monumental - Tlingit formline in its purest form. -
RAVEN AND THE BOX OF KNOWLEDGE, 2010 - Pendleton Blanket
Pendleton Woolen Mills commissioned Preston Singletary to design the 2011 American Indian College Fund Series blanket. -
St. Oakerhater Window, 2004 - St. Paul’s Cathedral
The Oakerhater Chapel is dedicated to David Pendleton Oakerhater, a valiant Cheyenne warrior in his youth. Later, as a prisoner of war in the era westward expansion, he would become a deacon of the Episcopal Church from 1881-1931 and the first Native American saint. The congregation of St. Paul's Cathedral in Oklahoma City, OK, commissioned Preston Singletary to create a stained glass window featuring St. Oakerhater's signature glyph. -
Raven Steals the Sun, 2003 - National Museum of the American Indian
In 2003, Preston was commissioned by Emil Her-Many-Horses, curator of the new National Museum of the American Indian in Washington, DC, to create a version of his popular Raven Steals the Sun for the new museum. -
Keet Shagoon, 2003 - Seattle Art Museum
Commissioned for the Seattle Art Museum. Tlingit house screens represent protective spirits that have become crests to various clans– i.e. the Raven, Killer Whale, Bear, etc. They protect the clan’s at.oow (sacred objects) and the people in the house. The house screen separated the chief and his family from the rest of the clan in their communal living. If there is a doorway on the screen, it usually is in the belly of the crest, the chief would ‘bring out’ the sacred objects as if emerging from the womb of the crest (Raven, Bear, etc.). -
Never Twice the Same, 2003 - Rakow Commission, Corning Museum of Glass
Inaugurated in 1986 by The Corning Museum of Glass, the Rakow Commission supports the development of new works of art in glass. This program, which provides $25,000 each year, is made possible through the generosity of the late Dr. and Mrs. Leonard S. Rakow, who were Museum Fellows, friends, and benefactors of the Museum. Each commissioned work is added to the Museum's collection and is displayed publicly for the first time during the annual Seminar. The Rakow Commission encourages artists working in glass to venture into new areas that they might otherwise be unable to explore because of financial limitations. Over the years, recipients have ranged from emerging to established artists, including Lino Tagliapietra, Klaus Moje, and Fritz Dreisbach. Preston Singletary was awarded the 2003 Rakow Commission.